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Of the multitude of historically significant gems that could be labelled 'Legendary Jewels, few have the attraction of the jewels belonging to Marie Antoinette, if only for the pure romanticism surrounding her and her personal possessions.  There are in fact very few pieces of jewelry still in existence that can be authenticated with any certainty as having belonged to the ill-fated queen, most having been sold or stolen to be melted down, or have the stones recut and scattered to the four winds.  Of course, as queen of one of the most powerful empires of the age, her gems are a magnificent example of jewelry in the French style and even if the authenticity of these settings are cloudy, it seems relatively certain that they date from the 1830s or 40s at the very latest.  

 

These two large, pear-shaped diamonds weigh 14.25 and 20.34 carats respectively, and are originally from India or Brazil, the only significant sources of diamonds in the eighteenth century. The diamonds were supposedly set in earrings that belonged to Marie Antoinette, the Queen of France who was guillotined in 1793 during the French Revolution. While the circumstances by which Marie Antoinette’s diamond earrings left her possession may never be known with certainty, the earrings appear to have stayed in the French Royal family.

 

In 1853, as a wedding gift, Napoleon III gave Empress Eugenie a pair of earrings with large pear-shaped diamonds that are believed to have been the Marie Antoinette earrings. Original engravings from the Illustrated London News wedding issue of February 1853 show Eugenie wearing large diamond earrings.

 

In 1887, most of the Crown Jewels of France were sold (more here http://en.wikipedia.org/wiki/French_Crown_Jewels ), and Empress Eugenie sold her personal jewels in 1870-1872 after she was exiled to England. It then seems  that they were acquired by the Grand Duchess Tatiana Yousupoff of Russia.

 

Then the jeweler Pierre Cartier purchased the diamond earrings in 1928 from the Yousupoffs, as the Yousupoffs sold off most of their jewelry that they had smuggled out of Russia during the Russian revolution.  The authenticity of the earrings was attested to in an affidavit by Russian Princess Zenaide Yousupoff and her son, Prince Felix Yousupoff, stating that they originally belonged to Queen Marie-Antoinette and had never been reset in the years that they were in the family.

 

Marjorie Merriweather Post acquired the earrings from Pierre Cartier in October 1928. At the time of the sale, Cartier described the settings as original, but it is not known if these had been replaced or altered in the previous century. The large diamond drops were surrounded by bands of silver that had gold linkages and were decorated with old mine cut diamonds in scroll work. Later, Cartier replaced the tops of the earrings with triangular diamonds set in platinum.

 

In 1959, Harry Winston, Inc., mounted the diamonds into platinum and diamond replicas of the “original” silver settings for Mrs. Post. In November 1964, Mrs. Post’s daughter, Mrs. Eleanor Barzin, donated the earrings, along with the original settings, to the Smithsonian Institution. The magnificent Marie Antoinette Diamond Earrings are on display in the Gem Gallery at the  Smithsonian National Museum of Natural History.

 

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LEGENDARY JEWELS 

Marie Antoinette's Diamond Earrings 

Marie Antoinette's pear-shaped diamonds from her earrings.  We know the  diamonds are authentic and did belong to her.  However, as for the settings, it is difficult to say if they managed through the Napoleonic era without any alternations.  

Marie Antoinette's diamonds mounted in the Harry Winston platinum  copies of the 'original' settings.  The triangular tops were made by Cartier in the 1920s.

These are supposedly the 'original' silver settings that the pear-shaped diamonds were set into.  The tops are the later 1920s Cartier addition - the original 'tops' or studs having been lost.  Although very similar to the Harry Winston version, one can see the differences in style, fabrication and diamond quality of the lower pear-shaped halo:  These are clearly from a much earlier era.  If one looks closely, you can even discern the difference in epoche between the bottom pear halo and the  top 'loop' which serves as a bridge to the Cartier triangle-shaped diamond.

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